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Ruth Thomas

72 PRIMARY COLOURS

24 Languages │ 442 Squares │ 25 Stripes

These three works represent the names of the primary colours in the 24 most spoken languages in Europe at the time (1999). The word order is fixed to red-yellow-blue. The names in languages using non-Roman scripts are transcribed into French.

A random colour is assigned to each letter of the alphabet; the names of the primary colours can therefore be written in coloured squares instead of letters. The assigned colours apply to all 3 works.

(This body of work was produced in pre-Internet days. The gathering of information was slow and labourious: It involved library research, phone calls to foreign embassies and visits to the various language institutes of the University of Geneva.)

All embroideries were realised by local artisans in Antananarivo, Madagascar.

Russian
Russian
German
German
English
English
French
French
Italian
Italian
Polish
Polish
Ukrainian
Ukrainian
Spanish
Spanish
Rumanian
Rumanian
Dutch
Dutch
Serbo-Croatian
Serbo-Croatian
Hungarian
Hungarian
Catalan
Catalan
Greek
Greek
Portugese
Portugese
Czech
Czech
Bulgarian
Bulgarian
Swedish
Swedish
Belorussian
Belorussian
Albanian
Albanian
Slovakian
Slovakian
Danish
Danish
Finnish
Finnish
Norwegian
Norwegian

72 PRIMARY COLOURS (1/3)

24 Languages

The first work represents the 3 primary colours spelled out individually in each of the 24 languages. The resulting 24 embroideries are arranged from top left to bottom right according to each language's number of speakers, in descending order.

(Embroidered cotton, 24 works, each 15 x 15 cm, 1999)

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72 PRIMARY COLOURS (2/3)

442 Squares

The second work shows all 24 x 3 primary colours one after the other, again arranged according to each language's number of speakers, in descending order. The words are separated from each other by a colourless square.

(Embroidered cotton, 52 x 34 cm, 1999)

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72 PRIMARY COLOURS (3/3)

25 Stripes

In the third work, the letters of all 24 x 3 primary colour names are sorted and arranged alphabetically from top to bottom, thus creating a pattern of stripes of different lengths with the longest stripe defining the width of the work.

(Embroidered cotton, 52 x 70 cm, 1999)

2025–2026

  • Woolgathering
  • Globality of Green
  • Unscreamed Screams
  • Nothing Is As It Seems

2023–2024

  • Pic en vue
  • En voir de toutes les couleurs
  • Nuances des départs
  • Ancestral Hues

2020–2022

  • Au fil du temps
  • Mesh of Life
  • Knitted Time
  • The Days of My Life

2017–2019

  • The Pattern of Language
  • Europeans
  • Order & Chaos
  • Democratic Stipes
  • Pixel Parliaments

1999–2000

  • Spoken Colours
  • 72 Primary Colours
© 2026 Ruth Thomas. All rights reserved.